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a uniquely modern, unpredictable take on a Fillmore-era groove and a bandleader bent on
pushing his music in new directions. In the end though, it´s Wayne´s
unique harmonic sense and songwriting that set Zony Mash apart. Zony Mash played to
audiences worldwide, at some of the most prestigious jazz festivals around. They played
at Montreux, Vancouver, Pori and North Sea Festivals and at
Warsaw Summer Jazz Days. Mostly though they played the clubs in Seattle and
the West Coast, blowing away a twenty-something crowd. Not surprisingly, both
college-oriented publications such as CMJ and more mainstream magazines such as
Downbeat give their CD releases critical acclaim. The band´s eclecticism
even showed in its choice of special projects, including a series of shows where they added
a horn section to the mix. Ex-Santana drummer Michael Shreve and guitarist
Bill Frisell sometimes sat in as well.
Zony Mash began its' life with Wayne Horvitz on Hammond B-3 and keyboards, Timothy
Young on guitar, Fred Chalenor on bass and Andy Roth on drums. Keith
Lowe replaced Fred as the bassist in late 1998. Zony Mash toured numerous times on
the West Coast, did three US tours and also played in Europe and Iceland. Five Zony Mash
CDs are available: Cold Spell (1997), Brand Spankin' New (1998) and Upper
Egypt (2000) are all on Knitting Factory Records. The first live CD, Live In
Seattle, was released in 2002. The final two shows were recorded for Kufala Records
and released as Farewell Shows (2004). The CDs are available at record stores, online,
and here at the merchandise page.
What the critics said about Zony Mash:

" ...modern electric jazz-funk at its finest."
Christopher Porter, Jazz Times
"...a smarter, more harmonically involved band that never stays locked in a single
groove. It's Meters meets Miles approach, though certainly tailored for the crossover,
jam band set, was of the type that would be equally attractive to more discriminating
listeners."
Bill Kohlhaase, LA Times
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